Hunt Visuals
YouTube & Personal Brand ProposalFORAll Solar Works
All Solar WorksHunt Visuals forAll Solar Works
Prepared for Jesse Burgess · All Solar Works

Be the face people already know before you knock.

You've built a solar company in Worthing that already runs on ads and word of mouth, and you're starting a roofing arm from nothing this month. What you haven't got yet is a channel doing the trust building for you before you ever turn up. This is the plan for that, filmed on your normal working days rather than days built for a camera.

Prepared byHunt Visuals
ForAll Solar Works
ScopeMonthly, long form plus clips
01
We film two of your normal days
No set, no script, no day off work. Two of us follow you round while you do what you were doing anyway.
02
You get two YouTube episodes
About twenty minutes each, one every fortnight, titled and thumbnailed properly.
03
Plus thirty clips off the same footage
Cut from the same two days. Nothing extra to film, and they carry the trust with homeowners.
01 · How I'm thinking about this

The plan behind the number

Before any pricing, the logic, so the cost lands in context.

L
Lloyd Hunt
Founder, Hunt Visuals

You said the bit that matters yourself. You put one video out and after that people were recognising you on the doorstep before you'd opened your mouth. Nothing else you spend money on does that.

You said the audience is homeowners. Some will watch, and that doorstep effect is real, but the bigger YouTube audience will be other business owners and other trades. I don't see that as a problem. The clips build trust with homeowners, the channel builds you something you own. That's the audience who partners on the roofing arm and sends you commercial work.

Barely anyone in the UK trades is doing this properly. The accounts you pulled up on your phone are the exception, and the people doing it really well are American, running businesses no more interesting than yours. You've got a solar company that works, a roofing company starting from nothing this month, and twelve years with the person you started it all with. That's a series most people would have to invent.

02 · What we're aiming at

These are the videos we're copying

Real channels, real numbers, pulled on 1 September 2026. Founders filming their own week. This is the shape of what we'd be making for you.

27:00
What a $1B CEO Actually Does in a Day
Greg Lav198k views
29:00
Turn into the man who can handle your dreams
Greg Lav193k views
45:00
How a Real CEO Actually Runs Multiple Companies
Dom Iacovone98k views
14:00
A Day in the Life of a $2B Startup CEO
Tanay Kothari57k views
28:00
The fastest growing energy drink at Walmart
Dom Iacovone28k views
21:00
The Reality of Running a $100M Company in your 20s
Alejandro McCurry25k views
Public YouTube data · pulled 1 September 2026

What those channels are doing, in numbers

Average views across each channel's last eight uploads. None of these are big media companies. They are owners with a camera and a routine.

128k
Greg Lav · 93k subs
61k
Dom Iacovone · 52.7k subs
15k
Alejandro McCurry · 13.7k subs
7 to 14
Days between uploads

Those are their channels, not a promise of yours. Worth knowing: Tanay Kothari has 11,600 subscribers off three videos, all the same format. The format carries a channel long before the back catalogue does.

Three things every one of them does
◎
A number in the title
"Day in the Life of a 9 Figure CEO." Every top performer leads with the size of the business. We pick a number you're happy saying out loud and it runs through every title.
⎍
Every week or fortnight
Dom hasn't missed a seven day gap. Alejandro slipped to a fortnight, then further, and the views went with it. The rhythm does as much work as the filming.
✦
Long, not short
These run 15 to 50 minutes and people leave them on. Short clips are how people find you. The long ones are how they end up feeling like they know you.
03 · What we make

One shoot day, two outputs

Everything comes out of the same footage, which is why the volume is possible without turning your week upside down.

Long form · the channel

The week, as it actually runs

YouTube, your name on it
About twenty minutes of your real day. Gym at four, the office, first site, the meeting that goes sideways. We film it whether it goes well or not, because the ones where it doesn't are the ones people finish.
Site daysThe teamQuotingRoofing from zero
  • One episode a fortnight, around twenty minutes
  • Custom thumbnail and title on every one
  • Opens on a sit down piece, so there's always a spine
  • Filmed handheld, like a documentary rather than an advert
Short form · the clips

Jesse Burgess, straight answers

Instagram, plus a clips page
Cut from the same day. You get the questions before we arrive, we ask them properly on the day, and each answer becomes a clip that stands on its own. This is the half that reaches homeowners.
Solar answersWhat it really costsStraight talk
  • Thirty a month, subtitled and ready to post
  • Split across your account and a clips page
  • Kept raw on purpose, so they read as real
  • Each one answers something people actually ask you
04 · How a shoot day runs

We work around you

You keep working. All you do in advance is tell us where you'll be.

MONTH ONE
The interview
Two hours sat down, two cameras, a written list of questions. This becomes the bank we cut back to all year.
THE DAY
We follow you
Gym, office, first site, the meeting. Two of us on you for the full day, filming it as it happens.
THE ASKS
Your three videos
Before we arrive you tell us three things you want covered. We hit those as well as everything else.
THE CUT
Episode, then clips
A twenty minute episode gets built first and the clips fall out of it. Title and thumbnail decided with you.
Your day, not a shoot day
Nothing to plan
You said your own days hit eight locations. That's the point. We're not asking you to perform, we're catching a day you were having anyway.
Do this now
The roofing launch
Film it from day one
You said the roofing side has only just started and you're in the middle of getting the guys busy. Starting a company from nothing on camera is the best series you'll ever have, and it only exists once.
05 · How we film it

Built for volume and quality at once

Three things that make thirty pieces a month possible without any of them looking rushed.

◎
Two of us, every day
Me and Ben on the same shoot. One stays on you, one covers the room and the site. Ben runs YouTube channels day to day and writes your questions, so the thinking happens on the day.
⎍
You answer in full sentences
We coach you on the day so your answer contains the question. Ask "how did you grow it" and you start with "the way I grew this was". That one habit turns a single sit down into thirty clips.
✦
Filmed a month ahead
We stay a month in front, so nothing goes out rushed and one bad week doesn't break the run. Same reason you wouldn't book an install for the same afternoon.
Why twenty minutes

Episode length tracks how warm the audience already is, not how good the video is. The two channels closest to where you're starting sit at 14 to 26 minutes. Dom runs 45, and he can, because 52,700 people already know who he is.

So we start at twenty. Once the channel has an audience that sticks around, we stretch it. Going long too early just means fewer people finish it, and it eats edit time we'd rather spend on the clips.

Tanay Kothari11.6k subs16 min
Alejandro McCurry13.7k subs19 min
Greg Lav93k subs23 min
Dom Iacovone52.7k subs42 min
Average runtime, last eight uploads
06 · What you receive

Every month, on a rhythm

  • Two full shoot days, with two of us on each
  • Two long form episodes, around 20 minutes each
  • Thirty short form clips, subtitled and ready to post
  • A custom thumbnail on every episode
  • Your questions written beforehand, so you're never stuck for what to say
  • On camera coaching, on the day, every day
  • A clips page set up and named, so your main account isn't carrying it all
  • Your full footage library, colour graded and yours to keep
32
Pieces every month
Two episodes and thirty clips, all out of two normal working days.
07 · Investment

Three ways in

You said you're not in a rush and you'd rather build it properly. I'd take the middle one, because two days a month is what keeps a fortnightly episode going, and fortnightly is the cadence that works. Two days costs less than double one day, because the second rides on the same setup, the same questions and the same edit.

Start
£2,200 + VAT
A month. One shoot day, one episode, fifteen clips. A monthly episode, and enough to find out if you enjoy it before you commit to the pace.
The full build
£3,500 + VAT
What I'd recommend
A month. Two shoot days, two episodes, thirty clips across your account and a clips page. Double the output of the first option for well under double the money, and the only version that holds a fortnightly episode.
Full send
£4,500 + VAT
A month. Three shoot days, three episodes, fifty clips across three accounts, and we schedule and post the lot.
The £3,500 covers
  • Two full shoot days, two of us on each
  • Two long form episodes, around 20 minutes each
  • Thirty short form clips, subtitled
  • A custom thumbnail on every episode
  • Your questions written before each shoot
  • On camera coaching on the day
  • A dedicated long form editor on your account
  • Colour grading, and your full footage library

Payment that works both ways. Monthly, first month up front, then the same amount on the same date. Three months minimum so the channel gets a fair run, then it rolls on and you can stop with thirty days notice.

Not included. Travel outside Sussex, anything filmed abroad, and paid spend behind the clips. The founder interview in month one is included, that's not an extra.

Included, month one
The founder interview
Two hours, two cameras, the full story. Where you started, the twelve years with your business partner, why the roofing arm exists now. We cut back to it all year.
Optional
An extra day or episode
£900 + VAT for a day on its own, or £850 + VAT for one extra episode. For a month with something big in it, a launch, a commercial job worth catching, an event.
Later
Putting spend behind it
Once we know which clips land, we can pay to push them. Separate conversation, and you'd pay Meta direct, never through me.
First month · gets us moving
Pay the first month and we start filming
The second this lands I'll send the onboarding form, we lock your two days for the month, and Ben and I write your first set of questions. Then it's the same amount on the same date each month. If you'd rather start on one of the other two, just say and I'll send the right link.
£3,500+ VAT
Pay first month  →
VAT added at checkout, £4,200 total
Card or Apple Pay, secured by Stripe
VAT receipt sent automatically
08 · Next steps

What happens from here

Four things, and the first two are yours.

My diary, live
Shoot day Worthing Two of us on site
Day you want not showing? That's just my diary being tight. Message me and I'll open it up, including the one we talked about.
Message Lloyd  → Open the calendar in a new tab
First shoot pencilled
Tuesday 15 September 2026

Let's build it.

Pick one of the three, hit the button, and we'll have you filming your first episode inside a fortnight.

Hunt VisualsLloyd Hunt
Emailhv@huntvisuals.com
Onlinehuntvisuals.com